Archive for November, 2006

Can a sheet of paper really store 450GB?

If a chap named Sainul Abideen gets his way, we’ll all be storing our data on pieces of paper in the near future. Or at least read-only data, as his method doesn’t easily allow for rewritable media.

Rather than using binary to store data on a medium, Abideen’s technology, which he dubs ‘Rainbow Technology’, uses both differing geometric shapes and colours of those shapes stored on paper. He claims up to 450GB can be stored on a piece of paper. This is presumably the size of an optical disc, as he compares it with the DVD and names the media ‘Rainbow Versatile Disc.’

The idea is that when using differently coloured shapes, each can store more information than just a simple on or off binary representation. This is much like comparing the binary number 10010110000 (base 2, with two characters) to the hexadecimal equivalent of 4B0 (base 16, with 16 characters). The decimal representation of this number, with ten digits, is 1,200.

So jumping from binary to hex, or from binary to anything with a higher base character count, saves space — but only, however, when the characters require the same physical space in order to be portrayed.

And this is where I see the inherent problem — you will always need more space to store shaped characters than you do for binary, as binary can be stored using something (1) and nothing (0). His method would only work if each binary notation were the same size as the shapes.

That can’t be the case, however, as binary is far more efficient at using space than other methods. You can’t draw a shape in the same space as a dot — or no dot — so this idea is flawed right from the start. Drawing a shape completely cancels out the advantage of using a higher base — the higher the base, of course, there is need for more physical space for the added detail on each shape or character.

The only way this might work is by using different coloured shades of dots to store information. Only we already have that — it’s called a digital colour picture. When was the last time you scanned in 450GB from an A4 photo? How about those multi-gigabyte print jobs you so often perform? It just doesn’t happen.

Unless a custom dictionary is stored off the page and used to decompress information from each printed piece of paper like a ZIP or RAR archive, pulling more information from a scan than a scan itself is utterly preposterous.

The slightly less paper-filled, digital office is here to stay. As cool as it originally sounds, this is probably nothing more than blatant vapourware after a gullible venture capitalist.

If not, I’ll eat my colourful words.

HOW TO: Protect your P2P privacy

Without getting into the quagmire that is the debate over P2P, fronted on one side by sane technologically able people and on the other by a dying breed of middlemen with an outdated business model (ok, so I dipped a toe into the marsh), the use of the technology aptly includes both legitimate claims of copyright infringement and illegitimate claims that this is all the technology is good for. In fact, P2P is rapidly becoming the de-facto mechanism distribution of all sorts of content on the Internet.

But I digress — if you use P2P software, and this can include programs that use it for distribution (which may not be immediately apparent to you), whether you like it or not you’re putting your IP address and machine on the global invitation list. It doesn’t matter that you’ve got a firewall — for while it does its job at the protocol and port level, it can’t protect you from the applications you run that openly share information about you or your machine.

Such as P2P software.

While there are as many legitimate uses of P2P software as there are free, community produced, and non-commercial files on the networks there are just as many illegal transfers happening as well. Transfers organisations like the RIAA and MPAA would like to put a stop to. And irrespective of whether such actions are justified, the RIAA litigation engine gets its endless source of defendants to sue by logging the contents of and exploring the systems of those users who run P2P software. It doesn’t matter whether you are or are not sharing copyrighted material, your machine will be logged none the less.

The scary part is, you don’t know just how frequently and from the range of sources prying eyes come knocking until you use a piece of software designed to prevent exactly this sort of eavesdropping.

For windows there are two popular solutions — the open source Peerguardian and Protowall. Quite literally, these tools are optimised IP filters that can blacklist known abusers. They operate by installing a driver, essentially an IP queue, to filter incoming connections based on regularly updated blacklists.

And there’s an added advantage to using them too. It’s not just the big media magnates and their legions scouring the networks that are a threat, the IP block lists include known spam, phishing, advertising, virus and spyware sources as well.

In other words, it’s healthy for your machine.

And perhaps that’s where some of the 200,000 IP address ranges that make up the core blocklists are populated from, not just the obvious culprits but also all those lovely spammers and purveyors of spyware.

While these tools are quite mature under Windows, Linux is a different story. At one stage there was a Peerguardian version for Linux, but this has since handed over the torch to MoBlock. Still in development, MoBlock accepts as input Peerguadian block lists (.p2b) and adds a queue within the kernel to be managed by iptables for filtering. And it’s extremely fast.

Static binaries and source are available (note you need the libnfnetlink and libnetfilter_queue libraries installed to compile the source) and, once installed, it’s a good idea to edit the MoBlock shell scripts to open various ports you don’t want filtered, such as 80 for HTTP and 443 for HTTPS. There’s no automated tool to get .p2b files yet, so you’ll need to download some to use. You can use lists copied over from Windows from Peerguardian or Protowall, or use the Windows Block List Manager from Bluetack, and export the ‘guarding.p2b’ file for use with MoBlock. Alternatively you script to directly fetch the lists from Bluetack too.

So how well does it work? The funny thing is, and the frightening thing is, that even just jumping on Azureus to grab the latest Fedora DVD image, I managed to get a heck of lot of dropped packets from dubious sources in the logs.

As the old axiom goes, information is power. Don’t give yours away.

World first: download-to-own movie service

Online movie service Reeltime has announced what it claims to be the world’s first “download to own” movie service, in partnership with Universal Pictures.

The concept is unique – purchasing a title from ReelTime gives the user access to three digital files. The first two are WMV – one for playback on a PC or laptop, and the other is suitable for playback on a Windows Plays4Sure-compatible portable device. The third file is used to burn the movie securely and legally to DVD (up to three times), which you then own.

The idea is terrific, especially given the amount of complaints media providers face regarding fair use policies and the locking of downloaded media so as to make it non-transferable.

There is an opinion floating round that digital piracy is so rife in Australia because media providers are so completely out of step with what people actually want to do with their media.

So ReelTime DTO – which comes online next Wednesday, 29th November, might just be the answer.

To get a better insight into how DTO will work for users, I had a chat to the Managing Director of ReelTime Media, John Karantzis.

APC: “Users who purchase content via ReelTime will have three files available to download. What are the average file sizes?”

John: “The WMV file for computer playback is encoded at 1.6Mb/sec, and works out to around 800MB to 1GB for a 90-minute movie. The Plays4Sure WMV file is encoded at around a third of that rate, giving a 250-300MB file. The DVD image file is compressed down to around 2.5GB.”

APC: “What file format does the downloadable DVD take?”

John: “It’s a proprietary file format developed by ReelTime and Universal. We take the original VOB files and compress them, and they are decompressed during the burn. Given that the file is proprietary, you can only use the ReelTime software to burn the file to DVD.”

APC: “What security is in place to prevent the files from being pirated?”

John: “The WMV file for computer playback is locked to the MAC address of the machine which downloaded it, and can’t be transferred to another machine. The same is true of the Plays4Sure WMV, except in that case the file is locked to the portable device it’s transferred to. We can’t prevent someone from transferring the file to a friend’s portable device, but once it’s copied across it’s not going anywhere.

The compressed DVD has to be burned within 30 days of download, and it also can’t be copied off the host machine.”

APC: “What happens if you need to download a file again?”

John: “Customers can download the WMV files any time, as long as they have proof of purchase. We are limiting downloads of the compressed DVD files to one download per year.

“We will be monitoring how often files are being downloaded, to prevent people abusing the system by downloading the same movie to lots of different machines.”

APC: “When the compressed DVD is burned, does it decompress to a single-layer or double-layer format?”

John: “Single-layer. ReelTime and Universal have a highly professional post-production team in place to compress the original double-layer DVDs down to single-layer without any noticeable loss in quality. In time though, we will be offering customers the choice to download either the single-layer or double-layer formats.”

So the system looks pretty robust so far. The file sizes are not so large as to put people off or to be unworkable given Australia’s generally limited broadband speeds (and given the recent upgrade of Telstra’s ADSL1 network to 8Mbit/s, it’s even less of a concern).

ReelTime has addressed the basic problem of giving customers the option to view downloaded content on a variety of formats without having to bypass DRM protection, and this alone makes the service highly attractive to tech enthusiasts in particular.

ReelTime users won’t have to wait for new releases either. Through the partnership with Universal, ReelTime DTO will release titles at the same day and time as those titles are generally released to DVD. Prices start at AUD$14.98, with new release titles averaging around AUD$33.99.

On the face of things, ReelTime DTO looks to be a flexible and innovative approach to digital media – a service which recognises that customers have a wide variety of playback options and don’t like being prevented from choosing which one to use, and yet has measures in place to protect their own commercial interests as well as those of the content producers. It will be extremely interesting to see what impact it has on the current digital media market.

Currently, the ReelTime service is Windows-only. Mac and Linux users will have to wait, or use virtualisation software to run up a virtual Windows system to access this service.

US Copyright Office grants abandonware rights

Here’s something abandonware enthusiasts can be thankful for: the Library of Congress yesterday approved six exemptions to US copyright. The one most pertinent to gamers is that, for archival purposes, copy protection on software no longer being sold or supported by its copyright holder can be cracked.

What does this mean? Well, those retro games — classic or otherwise — that you can’t seem to find anywhere can now be preserved without fear of ramifications. Although it is still unlawful to distribute the old games, free or otherwise, rarely do any abandonware cases go to court. The ruling is more symbolic than anything, but a step in the right direction.

Other rulings involved the rights of consumers to crack cell phone software locks for use on other carriers, the rights of educators to make compilations of DVD scenes, and the rights of blind people to use third-party software in order to read copy-protected electronic books. These rulings come as clarifications of the Digital Millennium Copyright Act (DMCA). All new rules take effect on Monday and last for three years.

How To Bypass The Zune’s WiFi Sharing DRM

We knew it would be done sooner or later, and now that we have the mod to use your Zune as a portable hard drive, a method to bypass the Zune’s WiFi sharing DRM is finally here.

First, you need to enable hard drive mode using the instructions we posted before. Then, rename whatever files—MP3s, movies, programs—to have the extension “.jpg” in order to fool the Zune into thinking its an image. This hack works because Zune doesn’t apply DRM to images!

Then what?

Now, take your Zune and send the folder containing these files to your buddy along with a real photo. If you only send a fake photo, an error is thrown. The last step is to have your friend sync the Zune with their computer, open the “containing folder” where the files were downloaded, and rename the files back to their correct extension.

We tried doing this before with just the Zune software, without the storage hack, and Zune threw an error because it resizes the images down in order to conserve space, and our file wasn’t a real image.

Nero runs under Vista (at last!)

Trying to get Nero working under Vista is no longer a frustrating hit-and-miss affair. An update just posted to nero.com enhances the current (and rather ridiculously-named) Nero 7 Premium Reloaded edition with a 150MB dollop of Vista-friendly goodness.

It’s been a long time coming. Throughout much of this year, apcmag.com has tracked the status of Nero under Vista beta and RC builds. In many cases, getting them to play nicely together came down to specific build editions of both the application and the OS.

We eventually discovered a way to install Nero on Vista using the cut-down Nero Lite version rather than the full-bottle package.
Then came claims by Alcohol Soft, the maker of the Alcohol 52% and 120% programs, that Microsoft was deliberately blocking third-party burning apps by denying the installation of device drivers which created ‘virtual drives’.

Now the beta testing smoke has cleared and with Vista’s codebase hermetically sealed (well, until the first patch or update), Nero has finally pulled up a chair at the Vista table. And just as well, because despite Vista’s enhancements in this area — including direct DVD burning and support for UDF and ISO images, there are still plenty of reasons not to dump Nero.

Finally, note that throughout this article we resisted the temptation to invoke clichés such as ‘burning ambition’ or puns like ‘Nero fiddles while Vista burns’.

AMD thanks self for awesome Wii

As if to dangle a gold medal of some sort in Intel’s face, AMD is flaunting — no, gloating over — sorry, congratulating Nintendo on its release of the Wii console.

It would seem AMD is squeezing its acquisition of ATI for all the juice it’s worth, as it is an ATI graphics chip that pumps-out Wii’s adequate graphics. Although, no longer ATI, as AMD has imaginatively decided to name the Wii’s GPU the ‘AMD Hollywood’ graphics processor.

One of the unique aspects about the Wii is its focus on fun and gameplay as opposed to the technology within the unit.

Not interested in emphasizing the highly-usable nature of its technology for the Wii, AMD is only too keen to pick up the bulk of the credit for the greater focus on game innovation. It confidently declared the sufficient Hollywood chip “… resulted in Nintendo delivering a brand new level of immersive gameplay and interaction …”

Fans should be praising AMD for implementing such a reasonably-capable graphics chip into their Wii. Such a fine pedigree of gameplay, we hear, wouldn’t have been possible with any other brand.

“Nintendo’s vision is to do something radically new and different with Wii,” AMD says el presidente of Nintendo America said, continuing “… the technology hidden in the system allows us to deliver an intuitive and fun gaming experience in a silent and beautiful form factor,” wrestling back some credit for the Wii’s gameplay.

Thanks to its unique controller, which we hear AMD had no part in, AMD says Nintendo’s bigshot said the Wii “… not only changes how people play games, but redefines how they interact with both the system and their televisions.” This goes against the norm of redefining how you don’t play games.

Cementing its position as making superbly-existent graphics chips for Nintendo, AMD’s Dave ‘ATI-of-yore’ Orton says “Having powered the graphics in the Nintendo GameCube, AMD is delighted to …”

No, seriously, the rest of that quote will put you in a coma.

Work PCs to miss out on key Vista features

Volume licence users of Windows will be looking eagerly at the opportunity to upgrade to Vista. But while Business or Enterprise versions might make sense from a deployment and management perspective, they don’t include features which you know corporate and education users will want, like DVD Maker.

Working in a school, I know how popular creative applications are for both teachers and students, so I assumed that we’d simply have to bite the financial bullet and look at rolling out Vista Ultimate as our Volume SOE.

Wrong. It seems that only the Business and Enterprise editions are available for Volume License customers.

This left me in the position of either having to tell staff that they couldn’t use the more interesting new features of Vista (the bits they are actually looking forward to), or face the prospect of purchasing licenses for individual Home Premium or Ultimate machines.

The situation was really looking like a total pain, so I got in touch with Microsoft for clarification, and a spokesperson got back to me today.

APC: “Can you please confirm that Windows Vista Enterprise and Windows Vista Business are the only editions available for volume licensing?”

Microsoft: “Windows Vista Business is the edition that is available to all volume license customers, and volume license customers with Software Assurance [SA] agreements also receive exclusive rights to use Windows Vista Enterprise.

For customers with SA agreements, we have also provided access to use Windows Vista Ultimate for specific scenarios, but we recommend that these customers standardise on Windows Vista Enterprise as it is easier to deploy and manage and is best suited for business environments.”

APC: “What happens when a volume licensing customer requires a particular feature which is only available in the retail version? For example, a user wants to be able to make DVDs (Windows Vista’s DVD Maker is not available in either of the business editions.)”

Microsoft: “We recognise that some enterprises may want the use of certain consumer-oriented features for certain unique settings, such as for conference rooms or for media-related labs, etc.

Customers with SA agreements can take advantage of Windows Vista Ultimate to address these special cases.

Non SA customers can purchase a PC with Windows Vista Ultimate pre-installed from their OEM, they can purchase retail licenses to upgrade existing machines, or they can look into one of the many third-party applications that will be part of the Windows Vista ecosystem to meet their needs.

Because of the superior manageability and deployment functionality of Windows Vista Business and Windows Vista Enterprise, we recommend that organisations standardise on either of these versions of Windows Vista.”

So I suppose it’s not all bad news. As an organisation you do have to purchase Software Assurance to get the flexibility to use Vista Ultimate in those “unique settings” so you’re looking at an extra cost per unit there.

Businesses are going to have to assess whether the extra cost is worth the benefit – both of being able to upgrade to Vista Enterprise and get Ultimate when needed, versus simply purchasing Ultimate should the need arise.

From my perspective, we are going down the Software Assurance path, but we’re also taking part in a School’s Agreement with Microsoft, which I believe is worked out between Microsoft and the Department of Education, which enables us to install any version of Vista regardless of the OEM operating system purchased.

So we can upgrade an XP Professional machine to Vista Ultimate mid-cycle without causing any licensing problems.

This will actually be of massive benefit in the XP-Vista migration, as we can purchase XP machines at the start of the year, without having to rush to get a Vista-based SOE ready, and then simply upgrade to Vista during the year on a schedule of our choosing.

Microsoft is right in their assessment of the situation though – there’s really no call to make any other versions of Vista available for volume licensing because it’s simply not appropriate.

Home Basic and Premium aren’t geared towards operating in a business environment and Ultimate is, to be honest, overkill.

Although it will be a pain to have to support some disparate machines running Ultimate, mainly because they won’t have KMS activation keys, it’s a better situation than needing to purchase third-party products to provide functionality which is not available in Business/Enterprise, but which is available in the other versions.

MediaFour announces MacDrive for Vista

Getting a Windows install up and running under Boot Camp is only half the battle. After you are successfully living in two operating systems you need to solve the problem of how to access your emails, documents and other files easily whichever OS you are using.

One way is to move everything online. Gmail, Google Calendar, Google Documents and the rest of Google’s ever-growing online services seem to offer a platform-independent solution. But it’s not without its problems.

Even if you are not concerned with privacy or control of your data, this path requires that you are always connected to the Internet, and at a fast enough speed to work efficiently. Life at the beach-house is very nice, but dial-up rules out doing any serious work this way.

Another approach is to move all your data onto a flashdrive. Neat and cost-effective these days for a reasonable amount of data, but you probably won’t get your whole 4.5GB iTunes library onto one. If you do chances are you will leave it home or lose it or step on it by mistake.

Enter MacDrive, an amazing piece of software that allows you to use your Mac drives as normal under Windows. Just install it on any computer (or Boot Camped partition) running Windows XP or 2000, Server 2003 (or even Windows ME and 98SE). Your Mac drives will now appear and operate completely transparently in Windows Explorer.

Networked drives are just as accessible. I was amazed how quickly I could log into the Home directory of my MacBook Pro from the XP box that lives in the shed (where it belongs).

It has a few more tricks up its sleeve as well, offering the quick creation of Mac disks, CD or DVDs and the ability to partition and format any drive from its Disk Manager.

It doesn’t work in Vista RTM but Mediafour will be ready when Vista hits the shops. A spokesperson confirmed that it will release a Vista-compatible version “in time for the consumer retail release of Windows Vista” at the end of January. It’s about to release a beta version for private testing.

It’s so elegant and so much better than the two data-sharing solutions mentioned above that it must cost money. And it does. MacDrive costs US$ 49.95 ($64.48) with academic pricing at US$ 34.95 ($45). At 8MB it can easily be downloaded from the developer’s web site.

It’s not cheap. It costs as much as two slabs of beer, but if your time is money, it will soon pay for itself.

Hold your horses: Creative has Vista drivers coming… some time next year

The almighty Creative has finally answered our questions about its minimal driver support for Vista.

Creative ignored our first and most pressing question: why it has been unable to produce stable release drivers, while at the same time graphics card maker nVIDIA has fully-supported, WHQL-certified drivers for Vista RC2. Are sound cards seriously more difficult to support than graphics cards?

Creative only recently released unsupported beta drivers for Vista RC1.

The company did, however, respond to why it hadn’t sooner released the RC1 drivers to the public.

“Creative will ensure quality and stability before releasing,” it said, adding “… there is constant fine tuning of specs on Microsoft’s part, and it is essential for Creative to re-test and fine tune.”

Microsoft several weeks ago released final code for Vista to component and software makers in advance of the November 30 launch to businesses and January launch to consumers.

When asked about RC2 support, Creative reminded us that it continues to work with Microsoft “to finetune,” saying “We will certainly release updated drivers when they are available. These driver releases are also dependent on the Vista OS release as different versions at different times may require modification of drivers.”

When queried on exactly what cards won’t work under Vista, and why, Creative didn’t exactly give us a detailed list. Instead, it said, “Creative will support [the] majority of its sound cards.”

The great unwashed minority can go suck a lemon, it seems.

So, when can we expect to see supported drivers? It reckons “… in end of the year and Q1 next year.”

Creative declined to allow its comments to be attributed to a named spokesperson at the company

The Burning Crusade - Adventures in Hellfire Peninsula and Zangarmarsh

Expansion packs are usually just a way to make more money off a popular game. The bargain tables at games shops are covered with packs that promise much but in reality deliver a few new levels and a gravity gun. There are exceptions to this rule, exceptions that are few and far between. For every Half-Life opposing forces there’s a Blood 2 mission pack lurking.

Blizzard has traditionally been one to shirk the cash-in nature of an expansion in favour of providing a compelling gaming experience. Diablo 2 Lord of Destruction and Warcraft 3: The Frozen Throne both stand as landmarks in expansion land. Rather than just delivering new content, they both feature extensive tinkering with the very mechanics of the game, and provide experiences that have evolved from the original titles.

So Blizzard’s first foray into MMO expansion territory has generated a lot of buzz. World of Warcraft: The Burning Crusade is set for release on January 17th here in Australia, and offers not only a new level cap of 70, but also an entire new world to explore, called Outlands. I’ve been spending time in the closed beta lately, getting a picture of where blizzard is taking WoW, and how Outland is shaping up as an adventuring destination.

Hellfire Peninsula

When you first arrive in outland you find yourself on Hellfire peninsula, a barren, war torn chunk of rock jutting out into nothingness. Around you a battle rages between the species of Azeroth and demons led by a giant Pit Lord. Soon you find yourself in your faction’s basecamp on the peninsula, Thrallmar for Horde and Honor Hold for alliance.

Here the extent of the changes to the way the game works start becoming apparent. For one, each quest hub appears to have its own faction. Those familiar with the game will know the pain of grinding reputation with factions, thankfully this new structure means the simple act of questing and killing things along the way really kicks your reputation along, and means you don’t need to focus on a handful of repeatable quests to get your levels up.

Hand in hand with this are reputation-based rewards from vendors, ranging from armor to patterns to consumable, there are a wider range of rewards than those seen in the game currently. A certain level of reputation is needed to get the key to enable ‘heroic mode’ in the areas dungeons (but more on them later).

Questing is by and large the same ‘go and kill X number of scarily named bad dudes’ interlaced with ‘go and get X piece of anatomy from monster Y’ mix you know and love, with some twists added for fun. The bombing run missions in particular add a new flavour to levelling.

One very noticeable by-product of the levelling process is the quest rewards. The first few quests give some excellent items for all classes, and even the immaculately geared will think long and hard about replacing some of their hard earned raiding gear with these rewards.

Besides being a zone for levelling and questing, Hellfire Peninsula also features several dungeons. These dungeons are contained within Hellfire Citadel, which forms the centrepiece of the zone.

Hellfire Ramparts and Blood Furnace

Finding a group to do these 5 person dungeons with is made easier by a revamped looking-for-group interface. This is an area where WoW has always fallen short, and previous attempts to create a system for finding groups have been largely ignored by the player base. The new system is quick, simple, and has already found me some excellent groups.

As part of this revamp, Blizzard has changed ‘meeting stone’ from a place where you interface with the looking-for-a-group system to a summoning point. All you do is click on a group member, click the stone and have one other person click on the portal that appears. This reduces the frustrations of waiting 20 minutes for someone to get to the entrance of the dungeon and is a very worthwhile addition to the game.

Hellfire Ramparts is the introductory dungeon for The Burning Crusade, and I found myself learning a lot about the class changes. I play a warrior, with pretty high-end gear, yet still I found it incredibly hard to keep the mobs under control. Both Paladins and Druids are now well equipped for tanking roles, and damage classes are capable of so much raw damage that it involves a rethink of methods. This leads to a more dynamic experience in dungeons, where crowd control becomes much more important than before.

Trying to keep the nastier mobs under control while the others were feared, frost nova-ed and otherwise kept busy was a refreshingly different experience, and one that kept the entire group busy. In the few runs I’ve done through ramparts it’s never quite been the same experience twice, and while the bosses are of a difficulty level befitting an entry level dungeon, the items that have dropped from them have been exceptionally good quality, better than raid gear in some cases.

Of slightly higher difficulty is the next instance, Blood Furnace. This keeps the trend of fairly short, 3 boss dungeons that start with Ramparts. Featuring some very different kinds of enemies, blood furnace is full of a mix of orcs and demons, with some tricky trash mobs leading to interesting boss encounters.

The first boss, the maker, is eminently unforgettable in his present state, however the other two fights are fun. One is a giant floating eye thing called Broggok that has a few tricks up its sleeves, including a pre-fight endurance test where the group is attacked by waves of orcs. The final fight is against a pack of warlocks, and involves the group thinking and reacting rather than just killing.

One very interesting thing about the loot in blood furnace is that a lot of the items are rare quality but with sockets for jewels created with the new jewelcrafting profession. There also appear to be a much wider range of items around, with care given to include things suitable for all talent builds, and not just the clichéd roles most classes get forced into.
There are other dungeons in Hellfire Citadel, Shattered Halls and Magtheridons lair, however these are max level dungeons, so it’ll be a little while before I’m ready to partake.

Zangarmarsh

To the west of Hellfire peninsula lies Zangarmarsh, a zone that has already captivated me. Essentially an otherworldly swamp, Zangarmarsh is in an ecological crisis brought on by the effort of the Naga in Coilfang reservoir. It is a beautifully haunting zone, with huge mushrooms growing skyward over a blue-green tinged landscape.

There are loads of quests, largely revolving around investigating the death of areas of marshland. After spending two levels on and off questing in Zangarmarsh I still enjoy the feeling of purpose in the zone. I’m also a herbalist, and Zangarmarsh is loaded with strange plants to pick, and even some mobs whose bodies can be ‘herbed’ much like animals can be skinned.

The main faction in Zangarmarsh is Cenarion Refuge, and missions quickly start driving reputation levels up. The rewards are varied, and include access to buffs that work only in Zangarmarsh once you hit friendly. To the west are also the mysteriously Smurf-like Sporelings, with whom you can gain rep as well.

I’ve yet to venture into the instances at Coilfang Reservoir (beyond a very brief period where I wandered in to the level 70 instance there), but similar to Hellfire the quests are pushing me in that direction.

It’s what has impressed me most about the expansion so far - the zones all feel like they have a purpose to them beyond just levelling up. Much like the Alliance level 10-20 zone Westfall has a building storyline about the Defias brotherhood, both Hellfire Peninsular and Zangarmarsh are their own microcosms within the greater burning crusade story arc.

And now on to Terokar forest, beyond the city of Shattrath (which is already being abbreviated to ‘Shat’ by players - you’d assume Blizzard would think of these things when naming). Keep an eye out for the continuation of my adventures over coming weeks.

Lots missing in Vista’s Media Center

I now have my hands on an official RTM copy of Vista Ultimate — the same code you’ll be buying on your Vista PC in January. I’ve also been playing around with a swag of digital tuner cards.

I’m unimpressed with how the final version of Windows Media Center (WMC) on Vista has turned out.

It will only be available on the more wallet-walloping Vista Home Premium and Ultimate editions and I’m still confused about to what exactly the incentive with MCE is here.
Two tuner hard-limit

I discovered that even if you use DTV card drivers that don’t conflict with other brands of tuners, you can plug in as many tuners as you like. However, this has no bearing on WMC; it recognises the lot, but you are permitted to select for use only two at any one time.

So, if you’re TV-batty and wish to record two shows while watching a third, you’re fresh out of luck.
No PIP

Aside from being able to record multiple shows at once, another big reason for purchasing multiple tuners is picture-in-picture.

Well you can forget about it. Have a fancy new digital dual-tuner card that flaunts PiP support? Tough. There is no such thing in the WMC world.

If you really want it, you’ll have to bring out the usually unstable and interface-unfriendly TV tuner application that was thrown in the box at the last minute.

Poking around online, this is one of the most requested features of a future Windows Media Center. This only makes this all seem rather odd.

There is no immediately obvious reason as to why such an ordinary feature on most half-decent home theatre suites isn’t included.
No Australian tuning frequencies

In order to quicken setting up the system, tuning can be done away with on this new version, theoretically. In fact, the wizard asks to confirm not only your country but also your zip or postcode to deliver the precise set of frequencies available in your area.

Well, no. Down-under, reality takes a whiz on that neat concept, as this feature isn’t even partially available in Australia.

It gets better, though. And by ‘it gets better’ I mean ‘the franken-monster has mutilated offspring.’
No Australian program guide

The new WMC has the ability to download a program guide and use this in conjunction with the time-scheduled record function. Fantastic, but I haven’t tried it, because that’s also missing in Australia.

Sure, it’s not Microsoft’s fault, given the TV networks’ wrangle over copyright on TV guides, but it’s still no consolation for WMC users who miss out on a major piece of functionality. Meanwhile, users of Linux media centres and some dedicated PVRs are happily sucking down TV guides from a variety of unofficial sources.

Just to rub salt in our eyes, if a certain Wikipedia stub is to be believed, Australia was among the first countries in the world that had an online telly guide. This was back in 1994 on this scorched rock — you know, when electricity was still in its infancy and the 80’s thing wouldn’t die fast-enough?

A quick look over at the UK Media Center discussion forums and it appears our monarchy siblings are equally miffed.
No captions

To top off the pudding, we have closed-captions, or rather, we don’t. Neither teletext nor DVB subtitle services are supported.

What’s going on here? Considering the premium coinage it demands from Aussies, Microsoft ought to make the new Media Center worthwhile. Its representatives were unable to provide comment for this story, but we’ll keep you posted.

Sure, competing with free must be difficult, but at least match the damn features before charging.